Posted 24 August 2012 - 08:39 AM
Posted 24 August 2012 - 10:34 AM
1 - allow pitchbend always to act like when midi control is set to "freq", this will allow to use "freq" feature while we are in bit mode, also allow the ability to map a midi cc to be used as "freq" mode while we are in other midi control modes so we can play notes using that midi cc like when you play midi notes when is in "freq" mode.
2 - enable an automation for every operand switch (32 automations) in addition to the grouped ones (4 automations), this will allow the ability to map each operand to a midi CC, else as alternative the ability to map 2 midi ccs to each operand group se we will be able to make all the combinations using midi.
Basically every permut8 will set the incoming step anticipatedly and then i will crossfade when is the time.
Posted 25 August 2012 - 12:30 AM
Thanks for the suggestions. Sounds like a very interesting Reaktor project. I am not very familiar with Reaktor tbh and I feel I first have to ask you, isn't it possible to control VST parameters directly via Reaktor? Do you have to control everything through MIDI? (Permut8's MIDI implementation is as you can see very sparse. There is definitely room for improvement here.)
that's a great idea, you mean we should be able to have all 3 modes simultaneouslty ? about preset swicthing is not a big problem as it works with program changes, but the ability to use boht "bit" and "freq" mode simultaneously would be great!Would having the different modes active simultaneously on different MIDI channels be another solution to your problem? E.g. controlling bits with notes on channel 1, pitch on channel 2, programs on channel 3. This is an idea that I've had for a while.
i should not need it anymore if you do the double midi channel simultaneously as you said above.If by automation you mean exposing every single bit as its own VST parameter I did actually try this once, but it didn't work very well with certain hosts. It's kind of "dangerous" to have one VST parameters that can change others, as I learned with the morph parameter in MicroTonic 3. E.g. it doesn't work properly with AU's in Live.
Do you mean you will e.g. send a program change to Permut8 #1, then next time to #2 and quickly crossfade, and then next time back to #1 again. This sounds like a great idea!
I am aware of the clicks in Permut8, and not only with program changes. Permut8 clicks a lot. That's what you get with primitive hardware. Normally, clicks and aliasing is something you avoid like the plague as a dsp developer, but this time I decided to view it as a feature.
Posted 25 August 2012 - 02:48 AM
Posted 05 March 2013 - 04:28 PM
This would be nice, but I find that stacking Permut8's plays well too. One instance for frequency movements and another for bit movements. This way gives me the option to not let the bit movements be affected by clock frequency movements.Would having the different modes active simultaneously on different MIDI channels be another solution to your problem? E.g. controlling bits with notes on channel 1, pitch on channel 2, programs on channel 3. This is an idea that I've had for a while.
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